Drag an orange dot to resize; a dashed line shows when it snaps to a common size. Click a dot, then use the arrow keys to nudge 1/8″ (hold Shift for 1″). Every size can also be typed in the panel.
Checks
- Buy glass or acrylic cut to 18″ × 24″. Never cut glass yourself; hardware stores and framers cut it while you wait.
Shopping list
| Qty | Item | Est. |
|---|---|---|
| 2 | 1×3 pine board, 8′ (board) | $13.60 |
| 2 | 1×2 pine board, 8′ (board) | $11.20 |
| 1 | 1/8″ hardboard panel, 24″ wide, 4′ (board) | $8.00 |
| 1 | Wood glue (bottle) | $5.00 |
| 1 | 1″ brad nails (box of 1000) | $6.00 |
| 3 | Picture glass or acrylic, cut to size by the store (sq ft) | $18.00 |
| 1 | Flexible framer's points (pack of 100) | $6.00 |
| 1 | D-ring hangers with screws (40 lb pair) (pack of 4) | $5.00 |
| 1 | Picture wire, rated 30 lb, 25 ft (roll) | $5.00 |
| 1 | Picture hooks with nails, rated 30 lb each (pack of 4) | $6.00 |
| 1 | Clear rubber bumper dots (pack of 20) | $4.00 |
About $88 · rough estimates, check the store
Parts
| Part | Qty | Length | Width | Material | |
|---|---|---|---|---|---|
| A | Face strip (1×3) Makes the four pieces between them: two 21 1/8″ and two 27 1/8″, long point to long point. | 2 | 85 1/2″ | 2 1/2″ | 1×3 pine board |
| B | Back strip (1×2) Glued to the face strip, outside edges flush, before mitering. | 2 | 85 1/2″ | 1 1/2″ | 1×2 pine board |
| C | Backer Same size as the glass. | 1 | 24″ | 18″ | 1/8″ hardboard panel, 24″ wide |
Cut list
2 × 1×3 pine board, 96″ → A 85 1/2″ each
2 × 1×2 pine board, 96″ → B 85 1/2″ each
1/8″ hardboard panel, 24″ wide, 48″ → C 24″
Kerf 1/8″ included. Every cut runs edge to edge.
Steps
- Tape measure
- Speed square
- Pencil
- Drill/driver
- Clamps
- Safety glasses
- Hearing protection
- Dust mask
- Circular saw or miter saw
- Hammer
- Miter saw
- Band clamp or four corner clamps
- Putty knife
- Utility knife
- Six or more clamps, 12″
- Sander, 120 and 180 grit
1Before you start
Read every step once, start to finish, before you buy or cut anything. Each step names the parts it uses by letter; the parts list gives their sizes.
Set up somewhere flat with good light. A pair of sawhorses with a sheet of plywood on top makes a fine work table.
Wear safety glasses whenever a tool is running, hearing protection for saws, and a dust mask for sanding and for cutting treated wood or sheet goods. Tie back long hair and loose sleeves. Keep children and pets out of the work area.
- Tip At the store, pick straight boards: hold each one up to your eye and look down its length. Skip boards that bow, twist or have big knots near the ends.
- Tip Measure twice, cut once. Most mistakes are a misread tape, not a bad cut.
2Cut and label the parts
Cut every part on the cut list. Cut the longest parts first: if one goes wrong, it can still become a shorter part.
To mark a cut, hook your tape on the end of the board, make a small V with its point exactly at the measurement, and draw a square line through the point with a speed square. Put an X on the waste side.
Cut on the waste side of the line, so the blade's kerf (about 1/8″) comes out of the scrap, not your part.
Write each part's letter in pencil on a face that won't show, and stack the parts by letter.
Sand the faces before assembly while they're flat and easy to reach: 120 grit, then 180.
✓ Lay the parts out and count them against the parts list. Measure a few: if one is off by more than 1/16″, recut it now.
STOP. Let the saw reach full speed before it touches the wood, keep both hands clear of the blade's path, and never reach under a board you're cutting. Support long boards on both sides of the cut so the blade doesn't pinch.3Glue up the frame moulding
You are making your own picture moulding: a 1×3 face strip (A) glued onto a 1×2 back strip (B), with their outside edges flush. The face strip is 1″ wider, so along the inside edge it leaves a step 1″ wide and 3/4″ deep. That step is the rabbet the glass, art and backer drop into.
Lay each face strip (A) good face down on a flat bench. Spread a thin layer of wood glue on one wide face of a back strip (B) and set it on the face strip with one long edge flush with the face strip's edge.
Clamp every 6″, with a straight scrap board on top to spread the pressure. Clamps make glued parts slide, so run a fingertip along the flush edge after tightening and tap it back into line before the glue grabs (about 10 minutes).
Leave it clamped at least an hour, overnight if you can, before you cut it.
- Tip Spread a thin, even layer of glue on one face with a finger or scrap: enough that a little beads out when you clamp, not so much that it runs. Wipe the squeeze-out with a damp rag right away, or scrape it once it turns rubbery; dried glue blocks stain and finish.
- Tip At the store, sight down each board's edge like a rifle barrel and skip any that bow or twist: a bent stick makes a frame that won't lie flat.
✓ Along the flush edge you can't feel a step. Along the other edge there is an even 1″ step the whole length.
4Cut the four miters
Set the miter saw to 45°. Lay the moulding flat with its rabbet down and toward you, so the outside edge is against the fence. Measured along the outside edge, every piece runs long point to long point.
Cut two top and bottom pieces 21 1/8″ long and two sides 27 1/8″ long. Swing the saw to the other 45° for the second end of each piece.
Cut each matching pair with the same stop block setting so they come out exactly equal. Equal pairs matter more than hitting the number: if two sides differ, a corner gaps however good the angles are.
Leave about 2 1/2″ between pieces on the stick: each 45° end needs its own triangle of waste.
- Tip Make two practice miters on scrap and hold them against a square. If the corner opens on the inside or outside, the saw is not quite at 45°: nudge it and try again. A tiny error doubles at every corner.
- Tip Sneak up on length: cut a little long, check, then shave off 1/32″ at a time.
✓ Lay the four pieces in a rectangle on a flat table. All four corners close with no gap at the inside or the outside edge.
STOP. Keep your hands 6″ from the blade and let it stop before you raise it. Hold short pieces with a clamp, not your fingers.5Glue the corners
Dry-fit the frame in a band clamp (or four corner clamps) first, to rehearse, then take it apart.
A miter face is end grain, which soaks up glue like a straw. Brush a thin coat on each miter face, wait two minutes, then add a second coat.
Assemble the frame and tighten the band clamp until a little glue beads at every corner. Where one piece stands proud of its neighbour, tap it down with a mallet over a scrap block.
Measure both diagonals; they should match within 1/16″. Wipe off the squeeze-out with a damp rag.
After an hour, pin each corner with two 1″ brads, one from each side. Drill a 1/16″ pilot hole for each so the thin tips don't split.
- Tip Glue alone holds a miter only weakly; the brads carry it. Leave the frame clamped for 24 hours before you sand or hang it.
- Tip Measure both diagonals, corner to corner. If they match, the assembly is square. If not, push the long diagonal's corners toward each other until they do, then let the glue set.
✓ The diagonals match within 1/16″, the frame lies flat on the table without rocking, and every corner face is flush.
6Sand and finish
Sand every face and edge of the frame with 120 grit, then 180 grit, always moving along the grain (the lines in the wood). Sanding across the grain leaves scratches that the finish makes darker.
Soften every sharp edge and corner with a few strokes of 180-grit paper on a block, so edges don't splinter or chip.
Vacuum the dust, then wipe with a tack cloth or a barely damp rag and let it dry 10 minutes.
Brush on a thin coat of water-based polyurethane along the grain. Thin coats dry clear; thick coats drip and stay sticky.
When it's dry (about 2 hours; read the can), the surface feels a little rough because the water raised the grain. Sand very lightly with 220 grit just until smooth, wipe off the dust and brush on a second coat. Three coats on anything handled every day.
Let the last coat dry overnight before you handle it much.
- Tip Pine goes blotchy under stain. If you want colour, brush on a pre-stain conditioner first, or use a gel stain.
- Tip Finish the back and underside too. Wood that is sealed on one side only can cup as the seasons change.
- Tip Work in a warm, dry, well-ventilated room. Below about 50°F (10°C) most finishes dry slowly and cloudy.
✓ The surface feels smooth and even, with no drips on the edges and no dull, dry patches.
7Fit the glass, art and backer
Buy glass or acrylic cut to 18″ × 24″: the rabbet opening is 18 1/8″ × 24 1/8″, which leaves 1/16″ to spare all round so seasonal swelling can't crack the glass.
Cut the hardboard backer (C) to the same 18″ × 24″. Score it with a utility knife against a straightedge and snap it, or saw it.
Lay the frame face down on a towel. Clean both sides of the glass, set it in, then the mat if you have one, the art face down, and the backer smooth side toward the art. The visible opening (the sight opening) will be 16 1/8″ × 22 1/8″.
Press framer's points into the inside of the rabbet every 4–6″, about 17 in all: slide a putty knife flat on the backer and push each point into the wood.
- Tip Clean the glass with a lint-free cloth, then puff off the last specks of dust right before the art goes in.
✓ Turn it over: no dust or hairs under the glass, and nothing rattles when you tilt it.
STOP. Wear gloves to handle glass. Store-cut edges are sharp even when they look smooth.8Add the hanging wire
Screw a D-ring to the back of each side piece, 9 1/16″ down from the top, pointing up toward the centre. Drill 1/16″ pilot holes so the small screws go in straight.
Thread picture wire through both rings. Leave it slack enough that, pulled up in the middle, it comes to 2–3″ below the top of the frame. Twist each end back around itself 5 or 6 times.
Stick a bumper dot on each bottom corner so the frame sits flat and doesn't mark the wall.
The finished frame weighs about 12 lb. Hang it on a picture hook (rated 30 lb each), nailed into the wall at the angle the package shows.
- Tip Two hooks spaced apart keep a frame level far better than one.
✓ Pull up hard on the wire: the knots and rings hold. Hung, the frame sits level and flat to the wall.
Conceptual layout, material estimate and assembly guide from the sizes you entered. Not engineering, not a building plan, not stamped or approved. Confirm measurements on site; follow local codes and product instructions; anchor tall pieces before use. Using this plan means you accept the Terms of Use.